![]() ![]() To make things a little more complicated, not only are the sequences of tones different in minor keys, the question of which chords are major and minor is also different than those used in major keys. Here is a secret technique used by many pro guitarists around the world to learn the fretboard. Playing scales on your guitar is a whole lot easier after you memorize your guitar’s fretboard notes. But their different positions in the key of B Minor make for a whole new sound when you play the scale!īelow is the B Minor scale, with B at its root and another B, an octave higher, at its summit. As mentioned, C and F are sharp, just as in the key of D. ![]() In the key of B Minor the notes are B, C#, D, E, F#, G, and A. All natural minor keys follow this pattern, so if you ever want to figure out where the accidentals are, just start with the root note and count off the above pattern. In other words, the second and the fifth positions in the scale are just half tones above their preceding notes, and between all the other notes there are whole tones. Whole Tone – Half Tone – Whole Tone – Whole Tone – Half Tone – Whole Tone – Whole Tone Unlike major keys, tones in a minor key come in this order: Let’s quickly review the differences between a major scale and a minor scale. Theory and Practice: The Pattern of the B Minor Scale And Source Of the Bm Guitar Chord Explained Thankfully, you have the Uberchord app (click for free download) to tell you exactly how you can improve a little each time you play. Too many fingers needed and not enough open strings makes the Bm guitar chord a bit hard to get a good sound out of. The key of B Minor and the guitar chords required of it may be easy to play, but they’re hard to play well. When you’re ready to find out more about minor scales, the bm guitar chord, and how they work, read this. There’s more to learn about using relative minors, but that’ll come later on in your musical journey. Why? Because both have the same key signature- two sharps (C# and F#). The key of B Minor is the relative minor of the key of D Major. You also hear it part way through the film Apocalypse Now, when the helicopters come storming in to the tune of Wagner’s Die Walküre. Nonetheless, later romantic era composers such as Schubert, Chopin, Borodin, and Tchaikovsky created important works in this key. Later both Galeazzi and Beethoven revealed negative opinions about the key. The 18th century German composer and writer Christian Friedrich Daniel Schubart described it as a key of sad acceptance. The jury is still out on the key of B minor and the Bm guitar chord. Many thought it was an apt key for expressing the calm acceptance of a terrible fate. Tchaikovsky's Manfred Symphony in B minor ends in B major.Johann Sebastian Bach composed his St John Passion in the key of B Minor. The "Tuileries" movement from Mussorgsky's Pictures at an Exhibition is in the key. The second movement of Beethoven's Piano Concerto No. Brahms also wrote the slow movement to his Second Symphony in B major, as well as the fourth and last piece of the Ballades, Op. 8, is in B major, though the piece ends in B minor. The aria " La donna è mobile" from Verdi's opera Rigoletto is in the key, as is the " Flower Duet" from Lakmé. įew large-scale works in B major exist: these include Haydn's Symphony No. You can download the audio file.Īlthough B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). ![]() Audio playback is not supported in your browser. ![]()
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